TWINQ’S ‘Legends Don’t Sleep’ Is A Simple And Honest Endevour To Express Oneself And Relate To The Masses

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Legends Don’t Sleep is the second project of Imphal born, Mumbai bred rapper, singer, composer and music producer, Tanishq Asem. Tanishq who goes by the stage name TWINQ has been closely associated with hip-hop since his childhood when he used to stunt skate and b-boy, back in his hometown. But it wasn’t until he had moved to Mumbai in 2010 that he developed a keen interest in making Hip-Hop music. What started as a means to distract himself from the cultural shock he experienced after moving to the metropolis slowly became a lot more than that as he started attending cyphers and block parties with the likes of D’evil, Mumbai’s Finest, Bombay Lokal, Enkore and other OGs of Mumbai Hip-Hop scene.

TWINQ released his first single in 2018 after honing his craft for a few years, performing in various college competitions, cyphers and underground rap parties. His latest EP ‘Legends Don’t Sleep’ comes three years after his debut project ‘Love Songs are Drugs’ and verbalizes his struggle with mental health issues and his determination to keep working towards his goals and dreams, as elucidated by the title. A bunch of amazing music producers, Vedang, Shinji, Kaala, Bowdum and Neerad have helped TWINQ co producer and build the mellow pop rap/ neo-soul soundscape of the project.

“I started making the project during a very dark phase of my life back in 2018-2019 & it was supposed to be my debut album with the title ‘Thisconnected’. Originally it had around 16 tracks & I had plans to release it in 2020. But eventually I grew out of many of the tracks & ‘Legends don’t sleep’ was born after filtering the album.”, the rapper recalls.

The first single off the project ‘Headphones with Lights Off’ featuring Madkap, released in 2021, along with a powerful and relatable short film by Himangini Puri, acts as the opener. The song’s relatability stems from TWINQ’s accessible hook and Madkap’s brilliant use of imagery in his verse.

‘Merry Go Round’ delves into the emo rap sphere with Lil Uzi Vert inspired adlibs and melodies. Kaala’s performance stands out as he breaks TWINQ’s monotone by delivering a verse with fresh flows and melodies. Like the previous two tracks ‘These Days’ also rests on the singalong-ability of the hook when nothing interesting is happening in other sections of the track. A Mac Miller interview acts as the interlude and is a perfect segue to a darker second part of the tracklist. ‘Growing Up’ is a claustrophobic and dark insight into the rapper’s mind full of internal conflicts. A song like this would require him to dig a lot more deeper into his vocabulary for maximum effect but sadly it doesn’t happen here. A painfully long title track comes next which has the featuring Madkap as the saving grace. His beautiful rhymes and well thought out bars elevate, again a very monotonous performance by TWINQ. In ‘Anxiety’, the rapper opens up about his struggle with anxiety disorder. To make things interesting, featuring artist ‘Bowdum’ raps as the voice inside Tanishq’s head, the voice tone and delivery add a great character to the performance.

‘Legends Don’t Sleep’ is a simple and honest endeavor to express oneself and relate to the masses through simple lyrics and music that is easy to the ears. While this formula did work well in the first half of the project, the more intimate cuts deserved a better lyrical performance from the rapper.
The EP marks an important point in TWINQ’s career as he reminds himself to embrace and leave all the obstacles he’s faced in the journey behind and work dedicatedly to achieve a better future.

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TWINQ’S ‘Legends Don’t Sleep’ Is A Simple And Honest Endeavour To Express Oneself And Relate To The Masses

[ad_1]

Legends Don’t Sleep is the second project of Imphal born, Mumbai bred rapper, singer, composer and music producer, Tanishq Asem. Tanishq who goes by the stage name TWINQ has been closely associated with hip-hop since his childhood when he used to stunt skate and b-boy, back in his hometown. But it wasn’t until he had moved to Mumbai in 2010 that he developed a keen interest in making Hip-Hop music. What started as a means to distract himself from the cultural shock he experienced after moving to the metropolis slowly became a lot more than that as he started attending cyphers and block parties with the likes of D’evil, Mumbai’s Finest, Bombay Lokal, Enkore and other OGs of Mumbai Hip-Hop scene.

TWINQ released his first single in 2018 after honing his craft for a few years, performing in various college competitions, cyphers and underground rap parties. His latest EP ‘Legends Don’t Sleep’ comes three years after his debut project ‘Love Songs are Drugs’ and verbalizes his struggle with mental health issues and his determination to keep working towards his goals and dreams, as elucidated by the title. A bunch of amazing music producers, Vedang, Shinji, Kaala, Bowdum and Neerad have helped TWINQ co producer and build the mellow pop rap/ neo-soul soundscape of the project.

“I started making the project during a very dark phase of my life back in 2018-2019 & it was supposed to be my debut album with the title ‘Thisconnected’. Originally it had around 16 tracks & I had plans to release it in 2020. But eventually I grew out of many of the tracks & ‘Legends don’t sleep’ was born after filtering the album.”, the rapper recalls.

The first single off the project ‘Headphones with Lights Off’ featuring Madkap, released in 2021, along with a powerful and relatable short film by Himangini Puri, acts as the opener. The song’s relatability stems from TWINQ’s accessible hook and Madkap’s brilliant use of imagery in his verse.

‘Merry Go Round’ delves into the emo rap sphere with Lil Uzi Vert inspired adlibs and melodies. Kaala’s performance stands out as he breaks TWINQ’s monotone by delivering a verse with fresh flows and melodies. Like the previous two tracks ‘These Days’ also rests on the singalong-ability of the hook when nothing interesting is happening in other sections of the track. A Mac Miller interview acts as the interlude and is a perfect segue to a darker second part of the tracklist. ‘Growing Up’ is a claustrophobic and dark insight into the rapper’s mind full of internal conflicts. A song like this would require him to dig a lot more deeper into his vocabulary for maximum effect but sadly it doesn’t happen here. A painfully long title track comes next which has the featuring Madkap as the saving grace. His beautiful rhymes and well thought out bars elevate, again a very monotonous performance by TWINQ. In ‘Anxiety’, the rapper opens up about his struggle with anxiety disorder. To make things interesting, featuring artist ‘Bowdum’ raps as the voice inside Tanishq’s head, the voice tone and delivery add a great character to the performance.

‘Legends Don’t Sleep’ is a simple and honest endeavor to express oneself and relate to the masses through simple lyrics and music that is easy to the ears. While this formula did work well in the first half of the project, the more intimate cuts deserved a better lyrical performance from the rapper.
The EP marks an important point in TWINQ’s career as he reminds himself to embrace and leave all the obstacles he’s faced in the journey behind and work dedicatedly to achieve a better future.

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Singer-Songwriter Ankur Tewari Bares His Soul In Pandemic-Born Album, ‘Akela’

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After completing his quests as a singer-songwriter and music director for mainstream Bollywood movies like Gehraiyaan, Gully Boy and as a curator of latest season of Coke Studio Bharat, Ankur Tewari has returned to his home turf with his first studio album since 2017, Akela. The album marks an important career milestone, not just for the artist but also his new label, Tiger Baby Records, co-founded with Bollywood directors, Zoya Akhtar and Reema Kagti.

‘Akela’ brings forward a previously unseen and unexplored side of the singer as he drifts away from his usual youthful guitar based acoustic sound and ventures into a more mature, melancholic dream pop soundscape produced by Rohan Ramanna of Salvage Audio Collective. Like a lot of people including myself, Ankur was also forced to face his insecurities and loneliness during the dreadful lockdown which inspired this very personal, dark, dreamy and existential project that explores relationships and loneliness.

“It’s important for me to document what I am going through in a poetic form, so that I can look back and remember more than what I can see, and see more than I can remember.”

Ankur Tewari

The album starts with ‘Parwaana’. A roomy post-apocalyptic track that is composed to perfection. Ankur’s dreamy falsetto vocals, the spotless melodies and the switch from hopeless low pitch chords to a more optimistic sound in the pre-chorus as he sings about heartbreak, climacteric drums, all of it came together perfectly to build what could arguably be termed as the best song to come out of the indian indie space this year yet.

With the title track, Tewari writes an ode to his loneliness. A melancholic dream pop which completely justifies it’s five minute long runtime with brilliant songwriting and fervent singing.

Ankur Tewari’s 8-track album ‘Akela’ is a brave and bold effort for the singer as he confronts his long repressed emotions and bares his soul in front of the audience. He manages to build an emotional connection with the listener through his vulnerable self with a crisp runtime and ambient production enhancing the listening experience of the album manifolds. It is definitely one of the better release this year that would be hard to top.

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Experience Diya Maeve’s Debut EP ‘For The Lovers’: A Refreshing Alternative Indie Pop Journey

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Starting a solo musical journey in 2021, Diya Maeve is out with her debut EP “For The Lovers” with the alternative Indie pop flavor attuned to her aesthetic. The clear inspiration of western music juxtaposed with her Indian classical foundation, reflects in the singer-songwriter’s composition.

With five original pieces up her sleeve, the EP releases on 23rd June this year, with two singles pre-released as a sneak peek into the rhythmic odyssey. True to its namesake, this EP is Diya’s gift to all the lovers and dreamers who face the complexities of love and mend their own selves in the process. The lyrical formation captivates the ear with the delicate melody that dances over the delicious arrangements navigating through themes of self–discovery, love and even overcoming the overall complexities. 

Formulating the exquisite blend of alternative nuances with indie pop sensibilities, Diya poetically crafts her work pushing the listeners into an emotional labyrinth. “Me, You and The Stars” starts with static vulnerability introducing its alluring delicacy, and continues with “Jupiter’s Moon”, instilling a profound connection with her audience. Diya Maeve’s enchanting musical voyage continues with her captivating compositions, “Me, You and The Stars” and “Jupiter’s Moon,” where love’s emotions intertwine with celestial melodies.

In the euphoric embrace of “Me, You and The Stars,” the lyrics delicately weave dreams of a blissful union, accompanied by an acoustic-like introduction that sets the stage for a symphony of romance. The chorus entices the listener to dive deep into the melodies, evoking a longing that emanates a profound sense of joy, resonating with all who have experienced the intoxication of love.

In contrast, “Jupiter’s Moon” explores a more melancholic perspective on love, delving into the depths of longing and separation. The poignant lyrics capture the despair of reminiscing about lost love, while the composition offers a soothing indie tonality that embraces the listener’s emotions. Like a gentle lunar presence, the song envelops the heart with bittersweet melodies that evoke both nostalgia and introspection.

Similar to a story, the next three singles, “Achilles Heel”, “Your Love”, and “On The Other Side Of The Moon” paints vulnerability drawing from raw inspirations. The final track is a poem that begins the endgame of the circle of suffering, yet instills a sense of hope and catharsis within the very core of the listener’s being. 

Indie pop and alternative genres converge in this masterful EP, showcasing a sonic identity that is simultaneously relatable and refreshingly original. Its technicalities, meticulously honed, embrace a diverse range of vocal tonalities and experimental production styles, creating an intimate and organic sonic artwork. Its lyrical depths explore introspective themes, crafting poetic narratives that invite listeners to embark on a deeply personal journey. Owing to the exquisite craftsmanship, “For The Lovers” stands as a resounding triumph and a harbinger of the boundless possibilities of Diya Maeve within the realm of music.

Diya Maeve’s Debut EP “For the Lovers” is Out On 23rd June 2023

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Reflections Of A Creative Genius: Akash Vincent’s latest EP ‘Ember’

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New Delhi-based singer/songwriter Akash Vincent’s latest EP, “Ember,” is a testament to his dedication to the craft of music-making. The EP was written during a period of rest, reflection, and recuperation, and it shows in the songs themselves. The EP consists of four tracks that span for 18 minutes and brings together talented collaborators to create a cohesive sound. The EP was co-produced by Girjashanker Vohra and was mastered by Warren Mendosa. 

Vincent’s goal with this EP was to make the process shorter, simpler, and less intensive, and to explore his personal thoughts about music production. The title “ember” reflects the theme of the EP as a time of low-burning fire, and the cover art created by Vincent’s wife Saili Malpani perfectly captures this imagery. 

The EP opens with the song ‘Lines’ which is a touching tribute to his love for Son Jarocho music and the Jarana instrument. The song tells the story of how Akash was introduced to Son Jarocho, the folk music from Veracruz, Mexico and how he fell in love with the Jarana. Unfortunately, due to unforeseen circumstances, Akash’s Jarana was damaged beyond repair. Despite this setback, Akash Vincent persevered and created a beautiful arrangement for ‘Lines’ that pays homage to the Jarana and Son Jarocho. He used a Guitalele in place of the Jarana and incorporated a strumming style influenced by Son Jarocho.

The second song in the EP ‘Piece By Piece’ presents a moving tribute to the experience of losing someone during the pandemic. The artist’s own story of grappling with this loss shines through in the lyrics, where he describes the intense longing for someone who is gone. The resulting track is hauntingly beautiful, with Vincent’s lilting vocals set against a sparse, melancholy instrumental backdrop.

The third song ‘Stay’ is a standout track on Akash Vincent’s EP, and it’s not difficult to see why. The song features an experimental drum beat that took the artist some time to perfect. Despite its complexity, the drums add an infectious groove to the track. The decision to program the drums was a wise one, as it allowed for greater control over the sound. The lyrics complement the music beautifully, expressing a desire for someone to stay. Vincent’s vocal performance is emotive, and he sings with a raw sincerity that is hard to come by in today’s music landscape. 

The EP concludes with the final track ‘Traces’ which is a refreshing departure from the trend in contemporary music production. In this song, Vincent opts for a more barebones and intimate sound that is reminiscent of European classical music. The stripped-down instrumentation allows Vincent’s vocals to take centre stage, and he delivers a heartfelt performance that is full of emotion. The EP’s rich instrumentation, powerful lyrics, and Vincent’s soulful vocals make ‘Ember’ a must-listen for anyone who appreciates artistry and musical talent. This EP is a testament to the fact that sometimes, the best creative work comes out of moments of solitude and introspection.

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